L’Anjou du Grand Siècle se dévoile à travers ses manoirs et ses gentilshommes, entre splendeurs architecturales et destins oubliés.

Anjou, années 1970. Pierres qui meurent ? vous invite à une balade littéraire au cœur des manoirs, châteaux et logis Renaissance de la région.

Everyone knows the fairy tale. Lenore Voss knows the lie underneath it. She is a glassmaker's daughter, blowing buttons by furnace-light until her spine aches, counting coppers she doesn't have while her stepmother Magda counts the days until the shop is lost. Her father isn't dead. He's in a cell in the palace basement. His crime? Signing the manifests they told him to sign - and then twelve men died when the Crystal Mines collapsed, and the Crown needed a scapegoat who wasn't wearing a crown. "They're saying he knew the mines were collapsing," Pip warned her. "You think the Crown lets twelve dead men slide without someone to blame?" "Someone," Lenore said, "who wasn't wearing a crown." So when a glass slipper offers a ticket into the royal ball, Lenore doesn't go to dance. She goes to find the truth. But the palace is a hall of glass lies - an apprentice wearing Lenore's own face, a mirror that sees everything, a huntsman with a gift she didn't ask for, a betrayal that tastes of tea, and a dungeon where hope shatters like a dropped goblet. There is a choice no one warns her about. A guard who saw the truth and may be the only ally she has left. And a queen whose crown was forged from the same lie that buried twelve men. The deeper Lenore digs, the clearer it becomes: the slipper was never a gift. It was a trap, and the conspiracy reaches all the way to the throne. To free her father, Lenore must outwit a queen, survive the mines that swallowed twelve men, and decide how much of herself she's willing to break to make the glass finally tell the truth. Because glass remembers every hand that shaped it - and this kingdom is about to learn what happens when it cracks. The Glass Slipper Conspiracy is a dark, sweeping fairy-tale fantasy about a wronged father, royal corruption, betrayal, a defiant heroine, deadly secrets, and a Cinderella story rewritten with teeth. Perfect for readers who love dark fairy-tale retellings, court intrigue, slow-burn rebellion, Cinderella reimaginings, and fierce heroines who choose justice over a happily-ever-after. A standalone fantasy with a fully resolved ending.

Cet ouvrage est une réédition numérique d'un livre paru au XXe siècle, désormais indisponible dans son format d'origine.

André Sarazin est l'auteur de six ouvrages sur l'architecture et la vie d'autrefois dans notre région, qui ont connu la faveur des lecteurs et sont vite devenus introuvables. Conservateur des archives de la ville d'Angers, André Sarazin nous donne aujourd'hui une réédition de son évocation du vieil Angers, augmentée des notices publiées depuis 1968 dans « Le courrier de l'Ouest ». Cette suite d'enquêtes sur les grands monuments qui ont fait la gloire d'Angers - château, remparts, cathédrale, hospice Saint-Jean, etc., hôtels aristocratiques et logis - passionnera les amoureux du passé. Comme ses précédents ouvrages, en particulier Vieux logis en Anjou, ce livre encore est entièrement illustré de la main de l'auteur, et terminé par un plan comparatif en deux couleurs de la vieille ville, et de ses transformations modernes.

Cet ouvrage est une réédition numérique d'un livre paru au XXe siècle, désormais indisponible dans son format d'origine.