Worlds collide when a naïve young heiress takes a tumble for a bootlegger with a murderous temper and his business partner falls in love with Montreal, the way Americans are prone to do. One world war has ended and a second is in the wings. In the space between, the neon-powered city on the St. Lawrence is notorious for its lavish nightlife, obsessive gambling and evident corruption. Controlling the action from behind the scenes is a large and mysterious figure called the Carpenter. He is the city's fixer, mediator and manipulator. He is the boss of the night, le caïd de la nuit. In this cinematic and genre-bending novel, George Fetherling both honours the roots of serious noir fiction while also pushing its boundaries.

The Toronto Star called him a legendary figure in Canadian writing, and indeed George Fetherling has been prolific in many genres: poetry, history, travel narrative, memoir, and cultural studies. Plans Deranged by Time is a representative selection from many of the twelve poetry collections he has published since the late 1960s. Like his novels and other fiction, many of these poems are anchored in a sense of place-often a very urban one. Filled with aphorism and sharp observation, the poems are spare of line and metaphor; they display a kind of elegant realism: loading docks, back doors of restaurants, doughnut shops with karate schools upstairs. In the introduction, A.F. Moritz places Fetherling in the modern picaresque tradition in the aftermath of Eliot and Pound, highlighting his characteristic speaker as an itinerant cosmopolitan outsider, a kind of flâneur, impoverished and keenly observant, writing from a position of "communion-in-isolation." He contrasts Fetherling's contemplative intellectualism with that of the public intellectual and highlights this outsider's fellow-feeling, making the poems indirectly political. Fetherling's afterword is an anecdote-anchored exploration of what the poet sees as his two central approaches-"the desire to create new codes of hearing" and "writing-to-heal"-and how they are reflected in the collection.