The grass really is greener on the other side.  But a hideous troll has taken up residence under the bridge, and the promised land is forever unattainable - if you're a goat born on the wrong side of the craggy chasm. The troll is soon recruited to join the side of the underclass, but when the revolution is won, the victors become tyrants, and it's up to the troll to find a way to break the cycle of greed.  Finally, everybody agrees that the green grass is for everybody to eat - it's a timely parable about immigration, through the lens of the Three Billygoats Gruff, created by three celebrated Canadian theatre artists: Mercedes Bátiz-Benét, Brooke Maxwell, and Judd Palmer.

After his prodigious success with the Giant of the Beanstalk, and then subsequent victories over the assorted ogres Cormoran of St. Michael's Mount, Old Blunderbore (and his brother), Ods Splutter Hur Nails (late of Wales), and so on, Jack the Giant-Killer has almost rid the world of the collossal kind. But disturbing news comes from the far North: a final Giant has unfrozen from the Ice Age, and is wreaking havoc amongst the Inuit. But now Jack is old, made decrepit by the excesses of his fame. Nevertheless, he leaps astride his Golden Hen and goes North in search of the last Giant. This is the fifth volume/title in Bayeux's most successful series for Young Adults.

The tale of young Hannah, who loves above all else to sing. What worse curse could have been visited upon her than this: she has been sent to live with her aunt and uncle in a sorrowful town where music itself is banned from its grim and cobbled streets. What woe has befallen this town? Why are there no children? Why are there no rats? Hannah will discover the answers to these dread questions in the wilderness wastes, under a mountain. There she discovers a secret orchestra, held captive by an ancient conductor, who remembers his glorious youth - when no-one could resist the beauty he could make with his flute. Could our Hannah be the bridge between two ancient enemies? Might the ghosts of the rats come to her aid? And, most importantly, will she sing once again?

In the aftermath of the notorious event of the enchanted broom, the Sorcerer's Apprentice learns his lesson indeed: "Seek Truth, not Power," is the Sorcerer's dictum. Peace returns to the castle's long days, but as obedient Humboldt grows older, a madness grows in his master. The sorcerer has discovered strange secrets in the depths of the library. Humboldt's dreams, too, are haunted by the broom, and the gods of wood, water and straw whisper through the halls at night. 

The story of the Boy Who Cried Wolf, the way we've heard it, is not quite the way it happened. There were mysterious forces at work that awful night, involving the captain of the guard, a certain girl, and the Boy himself. The Boy disappeared into the forest, where everybody knew he was surely eaten by wolves.