Clerks of the Passage
Migration stories, says Abou Farman, are often told through the personal struggles and travails of the migrant, the great voyager figure of our most recent centuries, the harbinger of hybridity, the metaphor for risk, sacrifice, toil, abuse, inhumanity. And humanity.
These are the stories (both horrific and redemptive) that we hear about in the news, in taxis and airports, in bars and corner coffee shops. They are both real and existential, shared, denied, argued about, internalized. Seldom are the threads of such narratives woven together and imbued with the originality of insight brought to the page by Farman.
In some cases, money changes hands, fake ID cards are printed, military release papers are forged, and in secret meetings shivery with anxiety and excitement, a place and a time are whispered. On arrival, three magic words: "I am refugee." Telling modern tales of transit, Farman ranges far and wide on the migratory map of human history, focusing on such themes as border posts and paradise, surveillance and passports, Third World Border Hysteria and homeland.
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These are the stories (both horrific and redemptive) that we hear about in the news, in taxis and airports, in bars and corner coffee shops. They are both real and existential, shared, denied, argued about, internalized. Seldom are the threads of such narratives woven together and imbued with the originality of insight brought to the page by Farman.
In some cases, money changes hands, fake ID cards are printed, military release papers are forged, and in secret meetings shivery with anxiety and excitement, a place and a time are whispered. On arrival, three magic words: "I am refugee." Telling modern tales of transit, Farman ranges far and wide on the migratory map of human history, focusing on such themes as border posts and paradise, surveillance and passports, Third World Border Hysteria and homeland.
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