Paris, XXIIe siècle. Dans une société ultra-libérale où tout se vend, et sur fond de réalités virtuelles, la dernière « mode » est la construction personnelle, ou "self art". Titania est l'un des multiples noms d'une jeune adepte de cet art : tout en elle est artificiel et modifié. La nouvelle raconte la brève histoire d'amour entre un poète en deuil, un peu rétrograde, et cette insaisissable créature.
Paris, 22nd century. In an ultra-liberal society where everything is for sale, against a background of multiple virtual realities, the latest craze is personal creation, or "self art". Titania is one of the many names of a young woman addicted to this art: everything about her is artificial and modified. The story relates the fleeting love affair between a rather old-fashioned poet in mourning and this elusive creature.
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Paris, 22nd century. In an ultra-liberal society where everything is for sale, against a background of multiple virtual realities, the latest craze is personal creation, or "self art". Titania is one of the many names of a young woman addicted to this art: everything about her is artificial and modified. The story relates the fleeting love affair between a rather old-fashioned poet in mourning and this elusive creature.
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