The White Ribbon Man is a murder mystery set in Toronto. A woman's body is found in the basement toilet of a downtown Toronto church. It is an Anglican church that welcomes homeless people for coffee and soup and has a congregation composed largely of social activists. The discovery challenges a community that sees itself as a compassionate one and causes people who once were comfortable with each other to become suspicious instead. During the investigation we get to know something about the minister whose sleepwalking makes him suspect, a librarian who answered the classified ad in the Globe and Mail placed by another suspect; one of the wardens who is an activist against violence against women, a member of the congregation who was the neighbour and friend of the murdered woman, and the detective in charge of the investigation. The gentle handling of all of these characters and their issues allows the reader to see humanity and vulnerability of each one and the way in which as a community they support one another.

After ten years of marriage, Sue and Jerry would say they know everything about each other. But each harbours a significant secret. When Jerry becomes ill and it's apparent he's dying, Sue visits a psychic, Hans, who tells her there is someone like a son in her life. She dismisses this, but at Jerry's funeral his son turns up-a son Sue didn't know existed.  At first Sue feels betrayed by Jerry, but gradually she accepts her own complicity. And she regrets never telling him, or anyone else, about the baby girl she gave up for adoption when she herself was only sixteen. Encouraged by Hans and a relative of Jerry's, Sue starts looking for her daughter and relying more on Hans, who is also struggling with troubles in his own marriage. The novel deals with family secrets, social issues, relationships, and psychic insight. It confronts what happened when pregnancies were kept secret many years ago, what happens when mother and birth child look for and either find, or do not find, each other. It also explores the reality of family secrets, huge issues that are kept quiet under the veneer of polite society and that affect the individuals and families involved for lifetimes, even generations. The novel also raises the question of who is family and how do we create one.

Shortly after the first referendum on Quebec separation, four people in their forties encounter each other in Ile d'Or, the town where all of them grew up. The novel is about gold and greed and renewal and hope. About people who emerge from a frontier existence into the society of the late twentieth century with the need to discover how their contemporary lives connect with their pasts: how growing up in a mining town in northern Quebec in the 1930s through 1950s shaped who they are today. They do this with the hope that confronting the past may better equip them for moving on with their stalled lives. Their need to be reconciled with themselves can only be satisfied through a reconciliation with the community in which they grew up. A vibrant novel that deals with language, community and the politics of Canada as it explores the hardscrabble life of a mining town-a company town-and the psychological fallout for the adults and children who live there.

One Day It Happens is an eclectic collection of short stories by Mary Lou Dickinson, which deal in myriad forms with communication or lack thereof in the lives of the characters. One of the universal factors in human existence is the need to connect with one another. When these characters fail to do so, it is the result of fear, of loneliness, of violence, of impending death. Sometimes they succeed in spite of everything to reach a place of insight and understanding, usually in unexpected ways and to their own surprise. The stories in this volume are all relevant to our times, never didactic or earnest, but rather a frank exploration of themes of loss of a partner, aging, sexual and physical violence toward women and children, death, mental instability and loneliness as well as the process of writing.