Rene Papon
Rene Papon
Cet ouvrage est une réédition numérique d'un livre paru au XXe siècle, désormais indisponible dans son format d'origine.
Please note: This is a companion version & not the original book. Sample Book Insights: #1 The German mark, the British shilling, the French franc, and the Italian lira were all worth about the same in 1913. By the end of 1923, the mark had fallen almost ten times its size. The mark's fall began gradually in the war years, 1914-1918, and accelerated in the 1920s. #2 In the winter of 1918-1919, the German, Austrian, and Hungarian economies underwent political revolutions following the deprivations of wartime and the crushing military defeat. Inflation exacerbated every problem, ruined every opportunity for national revival, and eventually produced the conditions in which extremists of Right and Left could raise the mob against the State. #3 The German inflation was both internal and external. It was caused by the Reichsbank's creed of Mark gleich Mark - paper or gold, a mark is a mark is a mark. If prices went up, people demanded not a stable purchasing power for the marks they had, but more marks to buy what they needed. #4 The German revolution, which began as a military mutiny against the bungling of the Army's leaders, had economic origins as well. Support for the Soldiers' Councils which were forming in every unit stemmed from the financial hardships experienced by many of the soldiers and their families.
Nowela przedstawiajaca dwóch mlynarzy zamieszkujacych w zaborze pruskim - Polaka, pracujacego w starym mlynie, oraz Niemca, który otwiera nowy mlyn i odbiera polskiemu mlynarzowi klientów. Urodzona w 1842, zmarla w 1910 roku, polska nowelistka, autorka utworów dla dzieci, tlumaczka, krytyczka i publicystka. Byla wielka spoleczniczka. W latach 80. XIX wieku nalezala do grupy kobiet opiekujacych sie wie´zniami, byla takze czlonkinia Kobiecego Kola O´swiaty Ludowej i Czytelni Naukowej dla Kobiet. Jest uznawana za jedna z najwybitniejszych polskich twórców literatury dla dzieci. W utworach dla najmlodszych budowala fikcyjne ´swiaty bliskie dzieciecej wyobra´zni. Codzienna rzeczywisto´s´c czesto mieszala z fantastyka i motywami ba´sniowymi (np. "Na jagody", "O krasnoludkach i sierotce Marysi", "Szkolne przygody Pimpusia Sadelko").