''The Apes of God'' (1930) is a striking and satirical novel by British artist and writer Wyndham Lewis, a satire of London's contemporary literary and artistic scene. The Sitwells, Gertrude Stein, James Joyce, and Virginia Woolf and the Bloomsbury group are among the writers satirised. Tutored by a 60-year-old Albino dilettante, Dan travels through the London art world. He is horrified, confused and bored by the contrived "broadcasts" of the "apes", a series of pseudo-artists who resemble, on the one hand, absurd mechanical dolls, and on the other, specific personages of the era. It's a scathing (and 600 page) novel about the London world of arts and letters in the mid-1920s. The "apes" are dilettante artists, mimicking a real creator without knowing what they are doing.

BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer , which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists.

Self Condemned tells the story of Professor Renarding who finds himself reduced to a position at a second-rate university in Canada after his resignation as an academic in London. He and his wife suffer through a bleak and oppressive isolation in a dreary and alien city. The novel, a devastating, disturbing satire of life in wartime Canada, explores the difficulty individuals face as they struggle to adapt to new surroundings while preserving their sense of wholeness, as well as the bond that develops between people during a shared experience of isolation.